In addition to sounding good, the soundtrack also really emphasizes the mechanically relevant beat. The music, which is made up of keyboard and drum-heavy rock remixes of Zelda’s most iconic songs, is really fun to listen to, especially as a fan: I never knew the Link to the Past overworld music would benefit from a synthy keyboards up front, but it does. Like in Necrodancer, when in combat you must press buttons to move and act in time with the beat of the song playing. As a result, these crypts mostly lack the clever level design in Zelda’s best dungeons, but they still feel intense because they present Cadence of Hyrule’s most intense combat/puzzle challenges. There are even familiar tricks like hiding cavities full of extra enemies in the walls for you to stumble upon. They adhere to Zelda tradition in that you need open locked doors and chests to find a map, a compass, and a “big key” on your way to the boss’ lair, but feel much more like Necrodancer because their structure relies on tools like shovels which are used to dig through some walls and torches to increase visibility in dark dungeons.

“Dungeons, on the other hand, are completely procedurally generated aside from a hub entranceway.

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